Midsummer Mire-Doers

You have to feel more than a tinge of sorrow for the hundred and fifty thousand or so soggy souls who paid £150 each and ventured down to the watery West Country this weekend, for the world-famous Glastonbury Festival.

Once again, what claims to be the world's largest contemporary arts and music festival was accompanied by torrential rain, which turned the normally green fields of this part of historic Somerset into a muddy mire. What has happened to our summer, which right now we're supposed to be in the middle of, literally?

The irony is all the greater, given that the Glastonbury festival began as an event to celebrate the June Summer Solstice, the time when in the Northern Hemisphere the sun appears to "stop" for several days as it reaches it's farthest point north, at the tropic of Cancer. Sadly, it seems to have disappeared altogether for much of the last 72 hours.

At Britain's latitude, this point in June brings the longest day, which occurred last Thursday and did at least see an impressive sunrise even here in the London suburbs, eighty miles or so from the UNESCO world heritage site of Stonehenge, Wiltshire, where the solstic takes on mystical proportions and thousands of revellers were able to gather to greet the dawn on 21st June.

Henge and homestead however were hardly the hotspots they were this time last year in what was actually a truly flaming June, preceeding one of our warmest summers ever. The chilly start to the day saw me staying cosily in my bedroom, apart from a brief venture outside to the garden, but dawn was none the less awesome for all that I viewed it through two panes of glass.

Sunrise and sunset still awaken some primeval sense of awe and wonder in most of us, be we painters or poets or ordinary Josephs. The Glastonbury focus came about because this legendary spot was supposedly visited by one of the New Testament Josephs, possibly the foster father of Jesus, along with his young son. This tale is the origin of the famous lines in William Blake's seminal song, married so stirringly with Hubert Parry's music to produce the ever-enduring "Jerusalem".

Whether those feet ever did tread on England's green and pleasant land, who can ever really say with certainty, though I suppose it's not beyond the realms of possibility. Nothing can be, when a child is born by miraculous virgin birth, and goes on to defeat even death itself. The Christian view of life and death may appear on the surface in contrast and conflict to that of the pagans who parade around ancient sacred sites in the west at this time of the year, and yet a recognition of the power and purpose of earthy and celestial symbols is common to both.

Maybe Jesus too got muddy feet, rather than smelling summer meadows and picking daisies to make childish chains, as he enjoyed the seasonal delights of his father's creation in England. But the songs that continue to celebrate him, as they have done for centuries, will continue to echo through fields and towns, not just at midsummer but every day. The events of two thousand years ago, at Gethsemane, Golgotha and Garden tomb, launched Jesus Christ, superstar, on to the world stage. What Christianity has done, and continues to offer all men and women free of charge, far surpasses any Acts the Glastonbury pyramid stage can offer.